|
Jimmy Quek had polio at the age of 3. The slight limp that is left is almost imperceptible, but it would appear that the effect the restriction caused in his early years channeled this sensitive boy in a direction which may not otherwise have happened.
At the age of 8 he began to excel in art and was taken by his cousin, Low Pua Hwa (a fine watercolor artist) to an exhibition of paintings. He was so impressed, that without really knowing at the time, he was directed towards painting by a compelling need which has been with him ever since.
Gaining A1 results in art, he became Chairman of his school Art Society and at 16 won an award in the Art Festival for Youth. A year later he joined the Nanyang Academy of Fine Art to leave after only a few months to take up Business Studies at the Ngee Ann Technical College.
Working in an administrative capacity for three years he then joined a design company as an accounts executive, then design manager, after which he ran his own design company which flourished for four years.
However, the need for a more fulfilling expression was his striving waking motivation and at the age of 29 he joined La Salle where he was immediately accepted into the second year of a three-year course. He is now a winner of six awards, the most important being first prize of the IBM Art Award in 1988.
He has paintings in the the private collections of statesmen, diplomats, a king, a ruler, a sultan, in the National Museum, International companies and in the homes of art lovers throughout the world.
At his first sole exhibition in 1987 Jimmy Quek (Prabhakara) made this statement "It is important to be prepared to change - to free the mind each time - not to attach too much importance to previous ideas". Those of us who knew him then will be aware that he has followed his belief.
Here we have indeed an exhibition of "The Spirit of Nature". Jimmy has experimented with shades of light and colour evoking the dreamlike quality in many of his works and reality in others, this reality being related to the abstract.
Jimmy does not limit himself to one style, yet his paintings are unmistakably and distinctly his own. He invades the sensitivities of the viewer with a provocative combination of movement and
|
|
